official image

Official image

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Transform your home theater, family room, or any living space into a cinematic haven with eye-catching wall art inspired by the movies you love. Whether you’re a fan of classic westerns, thrilling sci-fi, or spine-chilling horror, movie wall art adds personality and flair to your space, making it a reflection of your unique tastes. Choose from a wide selection of high-quality poster prints, featuring iconic movie scenes, memorable moments, or beloved characters. Looking for something extra? Explore photographic prints that capture legendary movie stars, iconic vehicles, or unforgettable props from your favorite films. These pieces go beyond décor; they let you relive the magic of the big screen every time you walk into the room. From timeless classics to modern blockbusters, there’s wall art to match every fan’s passion. Let your walls tell a story—your story—through the movies that have left a lasting impression on your heart. Elevate your space today with movie-themed wall art that brings your fandom to life!

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cinematic artwork

Cinematic artwork

Yet Storaro is clearly fascinated by painting: Writing With Light contains reproductions of over 100 paintings, and one of these, Caravaggio’s The Calling of St. Matthew (1599–1600), helped inspire him to go into cinematography. In Apocalypse Now (arguably his most visually striking film, though it has some stiff competition), he clothes the actors in sickly yellowish light and baleful shadows, producing a chiaroscuro that would have made Caravaggio jealous. For Storaro, as with Caravaggio, the play of light and shadow isn’t just a nifty effect, but a way of suggesting a figure’s state of mind. Apocalypse Now’s Colonel Kurtz straddles madness and civilization, and Storaro’s bold lighting choices render the character’s inner decay visible on-screen.

With an almost chameleonic effort across the film’s set design, all the visual cues are set in place to transport us to a Hollywood that no longer exists… The music, like the cars, have only aged for better. Punctuating the plot, a certain Paul Revere & The Raiders record gives us a glimpse into Sharon Tate’s private life. With the first few notes of “Good Thing,” we see the actress played by Margot Robbie start to feel the groove; a rare glimpse into the personal routine of someone at the height of their fame. As she’s bobbing her head, L’automne by Alfons Mucha can be noticed in the background. Through her tastes, both musical and artistic, and art in movies, Sharon Tate becomes more than just a two-dimensional character or actress, she becomes a person.

During the film’s denouement, as the angry mobs crash the gates of Versailles, an image of Napoleon flashes on screen. He is seated on his horse, rearing back in a victorious pose that mirrors the famous painting by Jacques-Louis David. In what may be intended as a momentary erotic fantasy, the infamous Frenchman is portrayed by the actor who also plays Antoinette’s lover in the film (Jamie Dornan).

Martin Scorsese’s ‘Shutter Island’ harbors a secret – its inspiration from Gustav Klimt’s ‘The Kiss’. The film’s portrayal of love and madness finds a parallel in Klimt’s golden, intimate embrace, bringing an added depth to the movie’s complex narrative.

The resulting film was equal parts alluring and ugly, refined and raunchy—in other words, a film about what it was like to live in early modern Europe. Alcott’s depictions of the English countryside are some of the most tranquil since Gainsborough picked up a brush. For the candlelit interior scenes, however, he packs dozens of weird, fleshy faces into each shot, calling to mind Hogarth’s satirical series “Marriage à-la Mode” (1743–45)and “A Rake’s Progress”(1733–34). Widely dismissed as a boring costume drama at the time of its release, Barry Lyndon has since been celebrated as one of the greatest of all films. No small part of that greatness comes from Barry Lyndon’s tension between seriousness and cheekiness—a tension Alcott emphasizes with his shrewd homages to English painting.

Film graphic

Our mission is to create tactical, actionable articles that teach valuable skills. We want to highlight the amazing work that’s being done every day in our industry, but instead of conducting armchair interviews, we dive into the messy details and show you how it actually works.

The Tudors shows all graphic designers aspiring to work in the film industry just how important it is to maintain continuity through props and set design. When creating a movie, it is often challenging to film it in chronological order.

Motion graphics also allow television networks and production studios to establish a consistent visual language across their programming, creating a unified brand identity that viewers can recognize and associate with the network or production company. This branding extends beyond the content and can be seen in promotional material, advertisements, and on-screen transitions. Consistency in motion graphics helps build familiarity and trust with the audience, enhancing brand recognition and loyalty.

Specification Sheet, graphics that will be installed on by the set dec team or construction require a specification sheet containing a floor plan, graphic reference images, and installation details such as location and materials.

theatrical artwork

Our mission is to create tactical, actionable articles that teach valuable skills. We want to highlight the amazing work that’s being done every day in our industry, but instead of conducting armchair interviews, we dive into the messy details and show you how it actually works.

The Tudors shows all graphic designers aspiring to work in the film industry just how important it is to maintain continuity through props and set design. When creating a movie, it is often challenging to film it in chronological order.

Theatrical artwork

It was in a bid to capture these celebrities at work that a new artistic genre took off: the theatrical painting. A fine early example is William Hogarth’s 1745 picture of Garrick as Shakespeare’s Richard III (above), the role with which the actor made his name. He is seen in his tent on the eve of the Battle of Bosworth, having woken from a dream in which he is rebuked by the ghosts of his murder victims.

Artists, meanwhile, were pretty much guaranteed a success, given their subject’s fame. Hogarth sold his painting of Garrick as Richard III for £200 — a sum that he himself noted, with pride if also exaggeration, ‘was more than any painter was known to receive for a portrait’.

Looking forward, the evolution of theatre is poised to leverage online platforms and digital technology even more. Educational programs are already beginning to merge technology and the performing arts to train the next generation of theatre artists. This intersection is not only a reflection of societal progression but also an indication of the future where online presence and physical staging could provide new narrative possibilities, ensuring the art form remains relevant and engaging.

As his biographer Thomas Davies wrote, after watching Garrick and Hannah Pritchard as Macbeth and Lady Macbeth in 1768: ‘You heard what they spoke, but you learnt more from the agitation of mind displayed in their action and deportment… The wonderful expression of heartfelt horror, which Garrick felt when he showed his bloody hands, can only be conceived by those who saw him.’

In zijn meest recente werk geeft Andrew het beeld pas echt de ruimte. Er spreekt een grote vrijheid uit het gebruik van kleur en compositie, die als vanzelfsprekend deel uitmaken van het vlak van het schilderij. Figuren maken zich los van de achtergrond en verdwijnen weer.

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